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The Cambridge Introduction to Narrative (Cambridge Introductions to Literature), by H. Porter Abbott
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What is narrative? How does it work and how does it shape our lives and the texts we read? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theater, but everywhere in the ordinary course of people's lives. This widely used introduction, now thoroughly revised, is informed throughout by recent developments in the field and includes two new chapters. With its lucid exposition of concepts and suggestions for further reading, this book is not only an excellent introduction for courses focused on narrative but also an invaluable resource for students and scholars across a wide range of fields, including literature and drama, film and media, society and politics, journalism, autobiography, history, and still others throughout the arts, humanities, and social sciences.
- Sales Rank: #408486 in eBooks
- Published on: 2008-04-07
- Released on: 2008-04-07
- Format: Kindle eBook
Review
'Abbott brilliantly zeroes in on the architecture of narrative with an exactness and bent for orderly exposition that utterly redeems his subject.' The Chronicle of Higher Education
'Anyone seeking a lucidly written guide to the study of narrative technique should turn immediately to H. Porter Abbott's Cambridge Introduction to Narrative.' Literature/Film Quarterly
'Written in an unfailingly lucid style that nonetheless refuses to 'dumb down' the major research questions facing analysts of stories, this book provides an ideal starting-point for readers seeking a synoptic overview of recent scholarship on narrative. More than just a primer for readers unfamiliar with previous research on stories, however, Abbott's book itself represents a significant contribution to the field of narrative studies.' David Herman, editor of The Cambridge Companion to Narrative
'Directness, accessibility, and coherence distinguish this brief but comprehensive study of narrative ... Most highly recommended.' Choice
'A lucid, practical, wide-ranging, and often original introduction to narrative, which will be extremely useful in undergraduate and graduate courses on literary theory and criticism. This is not a dry textbook, however; the reader is made aware of a real voice and of a fascination with the role of narrative across many areas of culture and beyond.' Derek Attridge
About the Author
H. Porter Abbott is Professor Emeritus of English at the University of California, Santa Barbara.
Most helpful customer reviews
20 of 20 people found the following review helpful.
Clear, engaging, and accessible
By Stephen Paskey
Ignore the three-star reviews from college students. (I'm a law professor.) Many works on narrative theory are impenetrable to people who haven't studied the field. Abbott's book is different: a clear, engaging, and accessible introduction to literary narrative theory. If you need to know the basics, it's a great place to start.
6 of 6 people found the following review helpful.
Very user-friendly
By A. J. Sutter
This is a clear and enjoyable introduction to the topic of narrative. I had thought that reading skinny little French books might be an efficient way to learn about the subject, yet somehow I never could bring myself to finish them. This book was more than double the length of some of those, but it did the trick. Contra to another reviewer's complaint about a lack of definitions, the book includes a glossary/index of technical terms at the back, which I found helpful on more than one occasion. Another nice feature is that at the end of each chapter the author mentions not only scholarly works for further reading, but also novels, films, plays and other literary forms that illustrate the issues just discussed.
Most important, the author never makes you feel that reading literature needs to be an academic chore. He presents things in such a down-to-earth way that being more aware of narrative's philosophical complexity can add to one's enjoyment, instead of sucking it out. He leaves the jelly in the jelly donut, so to speak; for a counterexample, see, e.g., Leech and Short's "Style in Fiction" (Routledge 2007), which has some topical overlap with this book.
Narrative has been a hot topic for a while in US law schools. Maybe for that reason this second edition adds a chapter highlighting the competition of narratives in US/UK-style law trials. What I'd like to see in a third edition is something even more broadly relevant: more discussion of narrative competitions in politics. In the meantime, this book gave me a lot of ideas to use in a politics and literature class I'll be teaching. But I don't think you need any academic motivation to find this book stimulating: a love of reading and a curiosity about how it works is probably enough.
10 of 12 people found the following review helpful.
A pleasure to read
By Thomas
I read a copy from the library, and decided to buy a copy for personal reference.
Happy to see that literary theory doesn't have to be incomprehensible or tedious.
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