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The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique

• Sales Rank: #4339448 in Books
• Published on: 2016-02-08
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .81" w x 6.14" l, 1.88 pounds
• Binding: Hardcover
• 336 pages

Review
'Equipped with an understanding of aesthetics as the analysis of the sensory and affective encounter and a deep respect for artistic creativity, Gonzalez is able to argue for a new understanding of Mughal painting's aesthetic syntheses of Indic, Persian, Islamic, and European pictorial traditions. Her phenomenological method permits an acute account of how a work of art makes a world through practices of spatiality, textuality, and figurality. Her historical analysis compellingly explains the transformations of these practices during the Mughal empire.' Laura U. Marks, Simon Fraser University, Canada

About the Author
Valerie Gonzalez is an expert on Islamic art history and aesthetics. She teaches Islamic studies at the Leighton House Museum, London. She was previously a member of the Institute for Advanced Study, Princeton University, USA.

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• Sales Rank: #82015 in Books
• Published on: 2016-11-02
• Original language: English
• Dimensions: 11.00" h x .26" w x 8.50" l,
• Binding: Paperback
• 114 pages

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1 of 5 people found the following review helpful.
Five Stars
By gaylein ford
A+++++

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Principles of Operations Management presents a broad introduction to the field of operations in a realistic and practical manner, while offering the largest and most diverse collection of problems on the market.

• Sales Rank: #110594 in Books
• Published on: 2010-02-05
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 1.00" w x 8.50" l, 2.97 pounds
• Binding: Paperback
• 720 pages

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27 of 31 people found the following review helpful.
Professional, interesting and comprehensive!
By Dr. Thomas M. Box
As someone who has taught Operations Management since Spring semester, 1980 following fifteen years in operations management in the steel industry, I've had the opportunity to review a large number of textbooks in this area. Without exageration, this is the most comprehensive, "user friendly" text that I have found. The illustrations, practice problems, power point slides and text book web site are great. Student comments have been very positive.
I strongly urge my colleagues who teach Operations Management to give this book a very serious look.

11 of 11 people found the following review helpful.
Amazing, most practical book at college education
By Akihiro Hano
I am using this book for my business class. This book will teach you in-depth principles and skills on how you can manage business operations with a lot of mathmatical skills.

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16 of 19 people found the following review helpful.
A well-done text w/ plenty of support
By swingreen
I'll make two separate sets of comments - one for professors and one for students.
Students first... There is a well-done website that accompanies the book, which includes outlines, sample tests & quizzes, and related study materials. The text is about average in terms of readability in comparison to other texts on the subject, and there are plenty of real-world examples to illustrate OM concepts (OM texts, as a general rule, don't read well). You may be able to get by with a previous edition if the textbook contents are your priority, but be advised, however, that the seventh edition contains some new and revised material, a few chapters have been re-arranged, and there are some different end-of-chapter exercises and cases.
For professors... You are probably already aware that OM can be challenging for the professor as well as the student, esp. with respect to where to aim the course - to the managers and generalists, or to the technicians & quantitatively-oriented. Heizer and Render have enough material to support either approach. The text is accompanied with ample instructor resources, including a CD and a website with slideshows, notes, outlines, and various other pedagogical tools. The testbank is easy to use, but should be supplemented with some quantitative short problems (if a quantitative approach is important to you).
Heizer and Render have also done a fair job of keeping the material up-to-date, which has resulted, after seven editions, in a pretty decent product. For me, the instructor resources and the comprehensiveness of the content (adequate support for either a managerial or quantitative approach) make Heizer and Render a good choice by comparison to other OM texts.

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This classic work has served a generation of pianists, organists, and harpsichordists and remains a necessity for every serious keyboard musician today. It is a detailed chronological survey from the 14th century to the end of the 17th. Beginning with the earliest sources, Professor Apel examines national styles and individual composers as well as the careers of the many evolving musical forms and instruments. Much of the material is organized by period and by national style areas - from Poland to Portugal. A monument of scholarship, this indispensable reference work is also remarkably user-friendly and engagingly written throughout.

• Sales Rank: #1647048 in Books
• Brand: Brand: Indiana University Press
• Published on: 1972-01-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.48" h x 2.13" w x 6.68" l,
• Binding: Hardcover
• 896 pages

Features

• Used Book in Good Condition

Language Notes
Text: English, German (translation)

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0 of 0 people found the following review helpful.
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By Dr. Marie Jureit-Beamish
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• Sales Rank: #2443799 in Books
• Published on: 1997
• Format: Teacher's Edition
• Number of items: 1
• Binding: Paperback
• 144 pages

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• Sales Rank: #10761284 in Books
• Published on: 1932
• Binding: Hardcover

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